Japan Cake Journal

Baking guides, regional recipes and home kitchen notes

Sourcing column

Anko and Matcha in Johannesburg: What the Shelves Actually Carry

Notes on tinned paste, loose powder and the labels worth reading

Two ingredients come up in reader letters more than any other: red bean paste and matcha powder. Both are easy to find in Johannesburg once you know which shops to walk into, and both are easy to buy badly. A tin of anko that tastes mostly of sugar will flatten a bun. A pouch of matcha sold for drinking will turn bitter the moment it meets a hot pan. What follows is what the shelves here tend to hold, and how to read a label before you commit to a tin.

Smooth or chunky, and why it matters in a dough

Tinned anko usually comes in two textures. Smooth paste is sieved and even, which makes it predictable when you pipe it or fold it into a filling. Chunky paste keeps whole and partial beans, so it carries more bite but also more water, and that water moves into the surrounding dough overnight. If you are filling a bun or a castella layer, smooth paste holds its shape better. Chunky paste is worth the trouble when it sits on its own, scooped next to a plain sponge.

Sugar content is the second thing to check. A heavily sweetened tin firms up in the fridge and can weep once it warms, which shows as a wet ring around the filling. A paste with less sugar stays softer and behaves more like a fruit jam. Neither is wrong, but they are not interchangeable in the same recipe.

Culinary matcha is not drinking matcha

The powder sold for whisking into hot water is grown and processed for a clean, rounded cup. Baking throws it into a hot, sugary, fatty environment where those delicate notes disappear and the bitterness stays. Culinary grade matcha is made for exactly that, and it holds its colour and flavour through a sponge or a cream. If a label does not say which grade it is, look at the colour: a dull, olive-green powder is usually culinary, while a bright, almost neon green is more often a drinking grade you would be wasting in a cake.

Storage after the tin is open

A Johannesburg summer is hard on both. Matcha oxidises fast and loses its colour within weeks of opening, so keep it in a sealed jar away from light and heat rather than in the original pouch on a shelf. Anko is more forgiving, but an open tin in the fridge will dry at the surface and pick up whatever else is in there. Move it to a small container, press cling film onto the paste itself, and use it within a reasonable stretch rather than leaving it to sit.

If you are new to these ingredients, the castella guide is a gentler place to start, since it uses neither and lets you focus on the batter.

Read the castella basics guide

Anko and Matcha in Johannesburg: What the Shelves Actually Carry

Cracks, a sunken middle, weeping at the base, a centre that never quite sets. Each one points somewhere different in a home oven, and the fixes rarely overlap. Below are the columns that walk through it, plus the technique pieces readers keep coming back to.

Square sponge cake on a wooden board beside a whisk and a bowl of batter

Castella Basics: Reading the Batter Before It Hits the Oven

Why bread flour, honey and a slow fold decide the crumb

Castella reads as a short ingredient list, but the work sits in the batter. This guide follows the mixing order, how far to take the eggs, and what the surface should look like before the pan goes in. It also unpacks the two failures readers write in about most: a dense bottom layer and a top that browns before the centre sets.

Sliced cheesecake on a plate with a soft browned top and a knife nearby

Souffle Cheesecake Troubleshooting for Small Ovens

Cracks, sinking and a wet centre, read one by one

Most souffle cheesecake problems come down to heat and timing rather than the recipe. A narrow oven with a strong top element behaves nothing like a wide one, and a water bath only helps when the pan sits at the right depth. This column treats cracking, a sunken middle and a custardy centre as separate symptoms, with the adjustments that usually help each.

Sliced white milk bread loaf on a wooden surface with soft square slices

Shokupan in a Home Oven: Flour, Tangzhong and the Pull-Apart Crumb

Adjusting a soft milk bread for local flour strength

Shokupan lives or dies on an even, soft crumb, and the tangzhong method is usually what gets a home baker there. Local bread flours differ in protein and absorption, so a recipe written elsewhere can turn out tight or dry. This piece explains what the cooked paste does to the dough, how to judge hydration by feel, and how to shape the loaf so the slices hold together.

Tall ring-shaped sponge cake on a stand with a slice cut away

Reader Test Kitchen: Three Chiffon Attempts, One Working Adjustment

What changed when the oven was lowered and the tube pan was swapped

Three chiffon submissions came in this month, each with its own problem: a cake that tore on unmoulding, one that shrank away from the pan, and one that tasted fine but felt heavy. The column records what each baker did, what the crumb showed, and which single change moved the result. A tube pan and a lower shelf solve more than any tweak to the ingredient list.